STEINWAY MODEL M

Posted on July 21st, 2014

STEINWAY Model M

Manila Pianos.Inc always has pre owned Steinway M (5’7″) Grand Pianos in stock. Call us at 02 801.3431 x 401 for an appointment.

At 5’7″ (170cm) in length, this piano’s rich tone and responsive action is found not only in a great many homes, but in many schools of music and conservatories as well. Called the “Medium” grand, there is nothing medium about the sound from this Steinway.

For more than a century and a half, the world’s most accomplished pianists have preferred to express their musical genius on Steinway & Sons pianos. The list includes the giants in classical, jazz, and popular music; the men and women who have shaped the world’s musical heritage. Today, more than 98 percent of the world’s active concert pianists choose to perform on Steinway pianos. The joy of playing and owning a Steinway piano, however, is not the exclusive domain of the virtuosi. Rather, it is a world open to all who share a love of music, fine craftsmanship and enduring quality.

That which distinguishes Steinway pianos, more than all else, is summed up in our dedication to a single ideal: make the finest pianos in the world. It has never entered our minds to compromise quality. Where some have substituted mass-produced, synthetic components to speed production or reduce costs, we apply technologies and new materials only when they provide proven enhancements in the piano. We adhere to these principles for one reason — compromise quality, and you risk the sound, the touch, and ultimately, the integrity of the instrument.

While we adhere to the traditional values of craftsmanship, Steinway & Sons has also consistently led through innovation. The very earliest pianos crafted by Steinway were distinguished by their inventive features — many of which helped define the modern piano. Today, each Steinway piano is a summation of our commitment to innovation. Each incorporates over 125 patented features and processes, including our patented Diaphragmatic® soundboard, Accelerated Action® and Hexagrip® pinblock.

A Steinway grand piano takes nearly a year to create. Nothing is hurried. Even the carefully selected woods that make up the rims, top, soundboards, and actions cure for months in our yard, kilns, and conditioning rooms before they stabilize at a rigidly specified moisture content. The rim of the instruments consists of layers of hard rock maple and with our bell-quality, full cast-iron plate, withstands the enormous amount of tension exerted by the strings. The finest acoustic-quality spruce is fashioned into the delicate curve of the Diaphragmatic® soundboard, which tapers gently from the center to the edge, assuring the full, rich Steinway sound.

Ultimately, the pieces — massive and delicate — come together through the interweaving of the craft and technology until the instrument is complete. However it is not a Steinway until voicing gives it the special quality that makes it unique. Here, every subtle nuance is drawn out by balancing and adjusting the keys and shaping, hardening or softening each hammer. In the end, the new piano is transformed from more than 12,000 individual parts into an instrument… and from an instrument into a Steinway.

Technical Specifications

Instrument

Rim
Made entirely from hard rock maple; 13 laminations; continuous bent, both inner & outer form one single rim; unequaled strength & stability. Thickness: 2 1/4″ (5.72 cm)

Braces
3 solid spruce with a volume of 1,659 cu. in. (27,186cm3); Spruce provides tensile strength with less weight. Maple dowels fasten braces to rim & crossblock producing a single homogenous foundation upon which is built the tonal component. Note: Treble bell is not required in smaller grands of lesser tensions.

Pinblock
Hexagrip patented design; 7 laminations of quartered hardrock maple stock. Grain symmetrically distributed at successive angles of 45° or 90° employing grain direction uniformly around the circumference of the tuning pin to provide the ultimate in pin grippage. As a result of this exclusive design, the tuning pin has smoother movement under torque, a more uniform retaining action for solid setting, and a piano which will hold its tuning longer.

Soundboard
Created like the soundboard of violins to give a free and even response throughout the entire scale, it is so constructed as to be 8 mm thick in the center and tapered to 5 mm as it approaches the rim and outer case before being DOUBLE CROWNED. This design permits complete freedom of movement, while acting as a homogenous unit to displace a greater amount of air, thereby creating a richer and more lasting tonal response. Close-grained, quarter-sawn Sitka spruce, a wood having unusual stability and vibrance under stress and vibration, is used exclusively for the soundboard.

Ribs
Made from durable, resinous sugar pine to assure strong and constant support of string down-bearing on the soundboard. Rib ends are hand-fitted into their mounting surfaces virtually locking in the important soundboard crown.

Bridges
Treble: Hard rock maple vertical laminations capped with solid hard rock maple; planed to prescribed height, graphite coated, drilled, and notched by hand for precise individual string bearing. Design defies splitting. Bass: Solid rock maple mounted to cantilevered and splined base. Maple doweled, glued, and screwed to soundboard.

Scale
Overstrung; combination agraffe; Front AND rear duplex. Tension: 33,823 lbs. (15,040 kg)

Plate
Sturdy gray iron; filled, hand-milled, and sealed; bronzed and lacquered.

Tuning Pins
Premium blued steel with rust-resistant, nickeled heads.

Strings
TREBLE: Eleven whole & one-half sizes from high-tensile Swedish steel. BASS: Swedish steel core wire wound with pure copper. Longest, agraffe/bridge: 49 1/4″ (125 cm)

Hammers
16.5-pound (7.48 kg) premium wool top felt over premium wool under felt; treated to resist insects and moisture. Compression-wired to retain permanent shape. Hard birch moldings. Shanks from select resilient maple.

Dampers
Horizontal-cut premium wool for effective dampening. Maple heads for endurance.

Action
White, quarter-sawn maple parts are bushed with specially treated wool action cloth for freedom from friction. Parts are anchored in hard maple dowels housed in inflexible seamless brass tubing to assure precise & stable regulation. Exclusive single, combination phosphor bronze repetition and fly spring provides constant crisp touch response. Specially designed to respond 14% faster fortissimo & 6% faster pianissimo by using an exclusive combination of half-round balance rail bearings and strategically placed key leads.

Keys
Bavarian spruce, individually weighed-off. Chip-proof, stain-resistant coverings for naturals; slip-proof, delicately abraded ebonized sharps. Tough, durable Linden wood buttons reinforce keys over balance rail permitting maximum tonal power with every strike. Longest: 19″ (48.3 cm)

Keybed
Made from planks of stable, quarter-sawn spruce. Horizontal planks are freely mortised together, while their ends are permanently mortised into vertical planks, presenting a vented system for humidity escapement while allowing for necessary expansion and contraction. Front center is crowned contrasting the reverse-crowned action frame for snug fit. This design intensifies key movement and prevents “slapping” during heavy playing. Large maple dowel ends provide a solid mount for adjustable brass touch-regulating screws. Thickness: 1-3/4″ (4.45 cm)

Pedals
Heavy, solid brass. Soft, sustaining, and full sostenuto


STEINWAY MODEL L

Posted on July 17th, 2014

STEINWAY Model L

Manila Pianos Inc.  always has Steinway L ‘s (5’10”) in stock.

STEINWAY AND SONS “L” 5’10 1/2 (Living Room Grand)

This 5′ 10 ¾” (180cm) grand piano has been a source of joy and inspiration since the very early 1900’s. Its sound is particularly warm and rich – far beyond what one would expect from a grand piano that is under 6 feet in length.

Features and Benefits

For more than a century and a half, the world’s most accomplished pianists have preferred to express their musical genius on Steinway & Sons pianos. The list includes the giants in classical, jazz, and popular music; the men and women who have shaped the world’s musical heritage. Today, more than 98 percent of the world’s active concert pianists choose to perform on Steinway pianos. The joy of playing and owning a Steinway piano, however, is not the exclusive domain of the virtuosi. Rather, it is a world open to all who share a love of music, fine craftsmanship and enduring quality.

That which distinguishes Steinway pianos, more than all else, is summed up in our dedication to a single ideal: make the finest pianos in the world. It has never entered our minds to compromise quality. Where some have substituted mass-produced, synthetic components to speed production or reduce costs, we apply technologies and new materials only when they provide proven enhancements in the piano. We adhere to these principles for one reason — compromise quality, and you risk the sound, the touch, and ultimately, the integrity of the instrument.

While we adhere to the traditional values of craftsmanship, Steinway & Sons has also consistently led through innovation. The very earliest pianos crafted by Steinway were distinguished by their inventive features — many of which helped define the modern piano. Today, each Steinway piano is a summation of our commitment to innovation. Each incorporates over 125 patented features and processes, including our patented Diaphragmatic® soundboard, Accelerated Action® and Hexagrip® pinblock.

A Steinway grand piano takes nearly a year to create. Nothing is hurried. Even the carefully selected woods that make up the rims, top, soundboards, and actions cure for months in our yard, kilns, and conditioning rooms before they stabilize at a rigidly specified moisture content. The rim of the instruments consists of layers of hard rock maple and with our bell-quality, full cast-iron plate, withstands the enormous amount of tension exerted by the strings. The finest acoustic-quality spruce is fashioned into the delicate curve of the Diaphragmatic® soundboard, which tapers gently from the center to the edge, assuring the full, rich Steinway sound.

Ultimately, the pieces — massive and delicate — come together through the interweaving of the craft and technology until the instrument is complete. However it is not a Steinway until voicing gives it the special quality that makes it unique. Here, every subtle nuance is drawn out by balancing and adjusting the keys and shaping, hardening or softening each hammer. In the end, the new piano is transformed from more than 12,000 individual parts into an instrument… and from an instrument into a Steinway.

Technical Specifications

Instrument

Rim
Made entirely from hard rock maple and mahogany; laminations; continuous bent, both inner & outer form one single rim; unequaled strength and stability.

Braces
4 solid spruce; spruce provides tensile strength with less weight. Maple dowels fasten braces to rim producing a single homogenous foundation upon which is built the entire tonal component. The S & S iron wedge anchors brace ends securely to crossblock assuring permanent rim posture.

Pinblock
Hexagrip patented design; 6 laminations of quartered hardrock maple and bubinga stock. Grain symmetrically distributed at successive angles of 45° or 90° employing grain direction uniformly around the circumference of the tuning pin to provide the ultimate in pin grippage. As a result of this exclusive design, the tuning pin has smoother movement under torque, a more uniform retaining action for solid setting, and a piano which will hold its tuning longer.

Soundboard
Created like the soundboard of violins to give a free and even response throughout the entire scale, it is so constructed as to be 9 mm thick in the center and tapered to 6 mm as it approaches the rim and outer case before being DOUBLE CROWNED. This design permits complete freedom of movement, while acting as a homogenous unit to displace a greater amount of air, thereby creating a richer and more lasting tonal response. Close-grained, quarter-sawn Sitka or European spruce, a wood having unusual stability and vibrance under stress and vibration, is used exclusively for the soundboard.

Ribs
Made from durable spruce to assure strong and constant support of string down-bearing on the soundboard. Rib ends are hand-fitted into their mounting surfaces virtually locking in the important soundboard crown.

Bridges
Treble: Hard rock maple vertical laminations capped with solid hard rock maple; planed to prescribed height, graphite coated, drilled, and notched by hand for precise individual string bearing. Design defies splitting. Bass: Continuous with treble. Maple doweled, glued, and screwed to soundboard.

Scale
Overstrung; combination agraffe; Front AND rear duplex. Tension: 19,000 kg.

Plate
Sturdy gray iron; filled, CNC-milled, and sealed; bronzed and lacquered.

Tuning Pins
Premium steel with rust-resistant, nickeled heads.

Strings
TREBLE: from high-tensile Swedish and American steel. BASS: Swedish steel core wire wound with pure copper.

Hammers
Premium wool top felt over premium wool under felt; treated to resist insects. Compression-wired to retain permanent shape. Hard kotibe moldings. Shanks from select hornbean and maple.

Dampers
Horizontal-cut premium wool for effective dampening. Bubinga heads for endurance.

Action
White, quarter-sawn hornbean parts are bushed with specially treated wool action cloth for freedom from friction. Parts are anchored in hard maple dowels housed in inflexible seamless brass tubing to assure precise & stable regulation. Exclusive single, combination phosphor bronze repetition and fly spring provides constant crisp touch response. Specially designed to respond 14% faster fortissimo and 6% faster pianissimo.

Keys
European spruce, individually weighed-off. Chip-proof, stain-resistant coverings for naturals; slip-proof, delicately abraded ebonized sharps. Tough, durable Linden wood buttons reinforce keys over balance rail permitting maximum tonal power with every strike.

Keybed
Made from planks of stable, quarter-sawn spruce. Horizontal planks are freely mortised together, while their ends are permanently mortised into vertical planks, presenting a vented system for humidity escapement while allowing for necessary expansion and contraction. Front center is crowned contrasting the reverse-crowned action frame for snug fit. This design intensifies key movement and prevents “slapping” during heavy playing. Large beech dowel ends provide a solid mount for adjustable brass touch-regulating screws. Thickness: 1-3/4″ (42 mm).

Pedals
Heavy, solid brass. Soft, sustaining, and full sostenuto.


STEINWAY MODEL O Manila Philippines

Posted on July 13th, 2014

STEINWAY Model O Manila Philippines.

Steinway Model O Manila Philippines, www.pianos.ph  has a Steinway O John Lennon version in stock, (see picture) these 5′ 10 ¾” (180cm) grand piano has been a source of joy and inspiration since the very early 1900’s. Its sound is particularly warm and rich – far beyond what one would expect from a grand piano that is under 6 feet in length. CALL US at 02.801.3431 x 401 or email us for more information or an appointment to see this piano.

Features and Benefits

For more than a century and a half, the world’s most accomplished pianists have preferred to express their musical genius on Steinway & Sons pianos. The list includes the giants in classical, jazz, and popular music; the men and women who have shaped the world’s musical heritage. Today, more than 98 percent of the world’s active concert pianists choose to perform on Steinway pianos. The joy of playing and owning a Steinway piano, however, is not the exclusive domain of the virtuosi. Rather, it is a world open to all who share a love of music, fine craftsmanship and enduring quality.

That which distinguishes Steinway pianos, more than all else, is summed up in our dedication to a single ideal: make the finest pianos in the world. It has never entered our minds to compromise quality. Where some have substituted mass-produced, synthetic components to speed production or reduce costs, we apply technologies and new materials only when they provide proven enhancements in the piano. We adhere to these principles for one reason — compromise quality, and you risk the sound, the touch, and ultimately, the integrity of the instrument.

While we adhere to the traditional values of craftsmanship, Steinway & Sons has also consistently led through innovation. The very earliest pianos crafted by Steinway were distinguished by their inventive features — many of which helped define the modern piano. Today, each Steinway piano is a summation of our commitment to innovation. Each incorporates over 125 patented features and processes, including our patented Diaphragmatic® soundboard, Accelerated Action® and Hexagrip® pinblock.

A Steinway grand piano takes nearly a year to create. Nothing is hurried. Even the carefully selected woods that make up the rims, top, soundboards, and actions cure for months in our yard, kilns, and conditioning rooms before they stabilize at a rigidly specified moisture content. The rim of the instruments consists of layers of hard rock maple and with our bell-quality, full cast-iron plate, withstands the enormous amount of tension exerted by the strings. The finest acoustic-quality spruce is fashioned into the delicate curve of the Diaphragmatic® soundboard, which tapers gently from the center to the edge, assuring the full, rich Steinway sound.

Ultimately, the pieces — massive and delicate — come together through the interweaving of the craft and technology until the instrument is complete. However it is not a Steinway until voicing gives it the special quality that makes it unique. Here, every subtle nuance is drawn out by balancing and adjusting the keys and shaping, hardening or softening each hammer. In the end, the new piano is transformed from more than 12,000 individual parts into an instrument… and from an instrument into a Steinway.

Technical Specifications

Instrument

Rim
Made entirely from hard rock maple and mahogany; laminations; continuous bent, both inner & outer form one single rim; unequaled strength and stability.

Braces
4 solid spruce; spruce provides tensile strength with less weight. Maple dowels fasten braces to rim producing a single homogenous foundation upon which is built the entire tonal component. The S & S iron wedge anchors brace ends securely to crossblock assuring permanent rim posture.

Pinblock
Hexagrip patented design; 6 laminations of quartered hardrock maple and bubinga stock. Grain symmetrically distributed at successive angles of 45° or 90° employing grain direction uniformly around the circumference of the tuning pin to provide the ultimate in pin grippage. As a result of this exclusive design, the tuning pin has smoother movement under torque, a more uniform retaining action for solid setting, and a piano which will hold its tuning longer.

Soundboard
Created like the soundboard of violins to give a free and even response throughout the entire scale, it is so constructed as to be 9 mm thick in the center and tapered to 6 mm as it approaches the rim and outer case before being DOUBLE CROWNED. This design permits complete freedom of movement, while acting as a homogenous unit to displace a greater amount of air, thereby creating a richer and more lasting tonal response. Close-grained, quarter-sawn Sitka or European spruce, a wood having unusual stability and vibrance under stress and vibration, is used exclusively for the soundboard.

Ribs
Made from durable spruce to assure strong and constant support of string down-bearing on the soundboard. Rib ends are hand-fitted into their mounting surfaces virtually locking in the important soundboard crown.

Bridges
Treble: Hard rock maple vertical laminations capped with solid hard rock maple; planed to prescribed height, graphite coated, drilled, and notched by hand for precise individual string bearing. Design defies splitting. Bass: Continuous with treble. Maple doweled, glued, and screwed to soundboard.

Scale
Overstrung; combination agraffe; Front AND rear duplex. Tension: 19,000 kg.

Plate
Sturdy gray iron; filled, CNC-milled, and sealed; bronzed and lacquered.

Tuning Pins
Premium steel with rust-resistant, nickeled heads.

Strings
TREBLE: from high-tensile Swedish and American steel. BASS: Swedish steel core wire wound with pure copper.

Hammers
Premium wool top felt over premium wool under felt; treated to resist insects. Compression-wired to retain permanent shape. Hard kotibe moldings. Shanks from select hornbean and maple.

Dampers
Horizontal-cut premium wool for effective dampening. Bubinga heads for endurance.

Action
White, quarter-sawn hornbean parts are bushed with specially treated wool action cloth for freedom from friction. Parts are anchored in hard maple dowels housed in inflexible seamless brass tubing to assure precise & stable regulation. Exclusive single, combination phosphor bronze repetition and fly spring provides constant crisp touch response. Specially designed to respond 14% faster fortissimo and 6% faster pianissimo.

Keys
European spruce, individually weighed-off. Chip-proof, stain-resistant coverings for naturals; slip-proof, delicately abraded ebonized sharps. Tough, durable Linden wood buttons reinforce keys over balance rail permitting maximum tonal power with every strike.

Keybed
Made from planks of stable, quarter-sawn spruce. Horizontal planks are freely mortised together, while their ends are permanently mortised into vertical planks, presenting a vented system for humidity escapement while allowing for necessary expansion and contraction. Front center is crowned contrasting the reverse-crowned action frame for snug fit. This design intensifies key movement and prevents “slapping” during heavy playing. Large beech dowel ends provide a solid mount for adjustable brass touch-regulating screws. Thickness: 1-3/4″ (42 mm).

Pedals
Heavy, solid brass. Soft, sustaining, and full sostenuto.


Steinway MODEL B

Posted on July 9th, 2014

Steinway Model B

Manila Pianos Inc. is rebuilding a Steinway B right now. This is a 6’10” grand piano and is completely rebuilt with new parts. Call us at 02.801.3431 x 401 to make appointment.

Steinway C 7'5"

Steinway 

This magnificent 6′ 10 1/2″ (211cm) grand piano is often referred to as “the perfect piano.” It’s a wonderfully balanced and versatile piano that does extremely well in intimate settings, teaching studios, and mid-sized venues.

For more than a century and a half, the world’s most accomplished pianists have preferred to express their musical genius on Steinway & Sons pianos. The list includes the giants in classical, jazz, and popular music; the men and women who have shaped the world’s musical heritage. Today, more than 98 percent of the world’s active concert pianists choose to perform on Steinway pianos. The joy of playing and owning a Steinway piano, however, is not the exclusive domain of the virtuosi. Rather, it is a world open to all who share a love of music, fine craftsmanship and enduring quality.

That which distinguishes Steinway pianos, more than all else, is summed up in our dedication to a single ideal: make the finest pianos in the world. It has never entered our minds to compromise quality. Where some have substituted mass-produced, synthetic components to speed production or reduce costs, we apply technologies and new materials only when they provide proven enhancements in the piano. We adhere to these principles for one reason — compromise quality, and you risk the sound, the touch, and ultimately, the integrity of the instrument.

While we adhere to the traditional values of craftsmanship, Steinway & Sons has also consistently led through innovation. The very earliest pianos crafted by Steinway were distinguished by their inventive features — many of which helped define the modern piano. Today, each Steinway piano is a summation of our commitment to innovation. Each incorporates over 125 patented features and processes, including our patented Diaphragmatic® soundboard, Accelerated Action® and Hexagrip® pinblock.

A Steinway grand piano takes nearly a year to create. Nothing is hurried. Even the carefully selected woods that make up the rims, top, soundboards, and actions cure for months in our yard, kilns, and conditioning rooms before they stabilize at a rigidly specified moisture content. The rim of the instruments consists of layers of hard rock maple and with our bell-quality, full cast-iron plate, withstands the enormous amount of tension exerted by the strings. The finest acoustic-quality spruce is fashioned into the delicate curve of the Diaphragmatic® soundboard, which tapers gently from the center to the edge, assuring the full, rich Steinway sound.

Ultimately, the pieces — massive and delicate — come together through the interweaving of the craft and technology until the instrument is complete. However it is not a Steinway until voicing gives it the special quality that makes it unique. Here, every subtle nuance is drawn out by balancing and adjusting the keys and shaping, hardening or softening each hammer. In the end, the new piano is transformed from more than 12,000 individual parts into an instrument… and from an instrument into a Steinway.

Instrument

Rim
Made entirely from hard rock maple; 16 laminations; continuous bent, both inner & outer form one single rim; unequaled strength & stability. Thickness: 2 3/4″ (6.99 cm)

Braces
4 solid spruce with a volume of 2,265 cu. in. (37,117cm3); Spruce provides tensile strength with less weight. Maple dowels fasten braces to rim producing a single homogenous foundation upon which is built the entire tonal component. A cast iron treble bell, affixed to rim’s underside at treble bend, holds plate firmly in position by means of a steel bolt. The S & S iron wedge anchors brace ends securely to crossblock assuring permanent rim posture.

Pinblock
Hexagrip patented design; 7 laminations of quartered hardrock maple stock. Grain symmetrically distributed at successive angles of 45° or 90° employing grain direction uniformly around the circumference of the tuning pin to provide the ultimate in pin grippage. As a result of this exclusive design, the tuning pin has smoother movement under torque, a more uniform retaining action for solid setting, and a piano which will hold its tuning longer.

Soundboard
Created like the soundboard of violins to give a free and even response throughout the entire scale, it is so constructed as to be 8 mm thick in the center and tapered to 5 mm as it approaches the rim and outer case before being DOUBLE CROWNED. This design permits complete freedom of movement, while acting as a homogenous unit to displace a greater amount of air, thereby creating a richer and more lasting tonal response. Close-grained, quarter-sawn Sitka spruce, a wood having unusual stability and vibrance under stress and vibration, is used exclusively for the soundboard.

Ribs
Made from durable, resinous sugar pine to assure strong and constant support of string down-bearing on the soundboard. Rib ends are hand-fitted into their mounting surfaces virtually locking in the important soundboard crown.

Bridges
Treble: Hard rock maple vertical laminations capped with solid hard rock maple; planed to prescribed height, graphite coated, drilled, and notched by hand for precise individual string bearing. Design defies splitting. Bass: Continuous with treble. Maple doweled, glued, and screwed to soundboard.

Scale
Overstrung; combination agraffe; Front AND rear duplex. Tension: 39,047 lbs. (17,571 kg)

Plate
Sturdy gray iron; filled, hand-milled, and sealed; bronzed and lacquered.

Tuning Pins
Premium blued steel with rust-resistant, nickeled heads.

Strings
TREBLE: Twelve whole & one-half sizes from high-tensile Swedish steel. BASS: Swedish steel core wire wound with pure copper. Longest, agraffe/bridge: 59 1/4″ (151 cm)

Hammers
16.5-pound (7.48 kg) premium wool top felt over premium wool under felt; treated to resist insects and moisture. Compression-wired to retain permanent shape. Hard birch moldings. Shanks from select resilient maple.

Dampers
Horizontal-cut premium wool for effective dampening. Maple heads for endurance.

Action
White, quarter-sawn maple parts are bushed with specially treated wool action cloth for freedom from friction. Parts are anchored in hard maple dowels housed in inflexible seamless brass tubing to assure precise & stable regulation. Exclusive single, combination phosphor bronze repetition and fly spring provides constant crisp touch response. Specially designed to respond 14% faster fortissimo & 6% faster pianissimo by using an exclusive combination of half-round balance rail bearings and strategically placed key leads.

Keys
Bavarian spruce, individually weighed-off. Chip-proof, stain-resistant coverings for naturals; slip-proof, delicately abraded ebonized sharps. Tough, durable Linden wood buttons reinforce keys over balance rail permitting maximum tonal power with every strike. Longest: 21″ (53.3 cm)

Keybed
Made from planks of stable, quarter-sawn spruce. Horizontal planks are freely mortised together, while their ends are permanently mortised into vertical planks, presenting a vented system for humidity escapement while allowing for necessary expansion and contraction. Front center is crowned contrasting the reverse-crowned action frame for snug fit. This design intensifies key movement and prevents “slapping” during heavy playing. Large maple dowel ends provide a solid mount for adjustable brass touch-regulating screws. Thickness: 1-3/4″ (4.45 cm)

Pedals
Heavy, solid brass. Soft, sustaining, and full sostenuto.

This Steinway Model B grand piano is completely re manufactured by us including refinished sound board, new  bridges, pin block and a new action. This piano has the bell sound Steinways are known for. This Steinway B grand piano is presently in our showroom, ready to be played. We also retail high end grand pianos including Steinway grand pianos.


Bosendorfer Piano for sale

Posted on July 5th, 2014

Bosendorfer Piano for sale model 170

Bosendorfer Baby Grand (5’6″) for sale, beautifully refinished inside and out, made 0riginally in 1898.  Visit our website for more info.

Bosendorfer redone

Beauty of sound cannot be measured in centimeters. Our 170 model, the smallest of Bösendorfer’s grand pianos, is specially designed for smaller living spaces – which means you can even enjoy the inimitably rich sound of a Bösendorfer at home.

A magical beginning, this piano was built in 1898 and has survived the test of time. This grand piano was found in a warehouse in Boston, USA and shipped to us for complete rebuilding. We decided to change the color to black with silver lines, which makes the piano look like a million bucks! The action is rocker and left the way it was. The cracks in the board are fixed and the bearing restored, then we had new pins and strings shipped in and we cannot believe the sound and feel on this stunning piano.

Small is relative. But what does small mean?

Our 170 model weighs 691 pounds and has dimensions of 146 x 170 centimeters. A formidable presence.

This piano is built by hand using the highest-quality materials. The sound quality in the bass, in particular, and the range of tonal colors are exceptional for a piano of this size. Its action allows the fastest of repetitions and it has a very precise playing feel.

Our 170 model is traditionally finished in highly polished black but can also be finished in a variety of veneers including bird’s eye maple, burl walnut, amboyna, rosewood, pyramid mahogany, pommele or any other desired finish.

And the most beautiful thing of all: it is “a Bösendorfer of grand pianos”.


Steinway Piano Manila

Posted on July 1st, 2014

Steinway Piano Manila

Manila Pianos Inc. specializes in rebuilding Steinways and we want to clear up some myths with you, the consumer.

1) Steinway pianos are the best in the world:

They sure are fantastic pianos, but there are problems with new Steinway Pianos. In fact, if you look in the latest supplement to “The Piano Book”, by Larry Fine, New York made Steinway pianos are rated in the 3rd rank of pianos according to manufacturing quality. So why is Steinway recognized as the undisputed leader?

In a word: marketing. Just as Microsoft dominates computer software because of aggressive licensing arrangements, John Steinway helped propel Steinway & Sons to its market dominance through exclusive artist contracts and favorable institutional arrangements.

2)Steinway pianos that have Teflon bushings in the action should always be avoided:

There are some pianos from the period that Steinway was owned by CBS in which Teflon was used in place of the felt bushings in the action. Some of these pianos exhibit problems. However, the issues are not nearly as severe as the problems of Steinways from decades earlier suffering from verdigris (a condition of gumming up of action parts as a result of having them dipped in paraffin oil when manufactured). One of the biggest problems with Teflon action parts is that few technicians know how to deal with them properly. Usually they can work fine unless there is a major change in climate.

3)Steinway upright pianos are not very good:

Here Steinway is getting a bum rap! While one could argue that Mason & Hamlin upright pianos and some of the extinct American companies from years ago produced superior upright pianos, Steinway uprights are by no means sub-par pianos. The fact that they don’t measure up to their grand pianos is the nature of uprights compared to grands.

4)Boston and Essex pianos are as close as you can get to a Steinway in a lower price range:

This is a beautiful myth created by Steinway to sell more pianos that Steinway does not produce. These stencil brands are rebadged Kawais made in Japan, and Pearl Rivers made in China. No company ever OEM’s higher quality instruments to competitors! And the buyer must pay a premium since 2 companies have to make money on the sale. You are better off buying a Kawai or Pearl River directly from the manufacturer. Or better yet, search out a high quality, used American piano other than Steinway since the Steinway name has a price premium attached to it.

5)New York Steinways can’t compare to Hamburg produced Steinways:

Just as there is a mystique to the Steinway name, there is romance to the Hamburg Steinway name. Perhaps there is more consistency from era to era in the German manufactured Steinways. However, a great Steinway is a great Steinway and there are phenomenal instruments coming from both factories, but they are not as good as they once were.